1 00:00:00,867 --> 00:00:01,868 (upbeat music) 2 00:00:01,868 --> 00:00:03,336 ‐ [Narrator] The Mexican Riviera. 3 00:00:03,336 --> 00:00:06,206 An exotic paradise of beauty, money, and danger. 4 00:00:06,206 --> 00:00:07,240 (gun fires) 5 00:00:07,240 --> 00:00:08,709 ‐ Mike! ‐ Michael's been shot. 6 00:00:08,709 --> 00:00:11,277 ‐ [Narrator] Now the team's deadliest enemy is back. 7 00:00:11,277 --> 00:00:13,580 ‐ Your old partner's a little bit pale these days. 8 00:00:13,580 --> 00:00:15,549 ‐ [Narrator] And while Mike fights for his life. 9 00:00:15,549 --> 00:00:17,017 ‐ Are you having us disciplined? 10 00:00:17,017 --> 00:00:18,384 ‐ [Narrator] Ashley faces Strake 11 00:00:18,384 --> 00:00:20,521 in a fight only one can survive. 12 00:00:20,521 --> 00:00:24,958 ‐ One flick of my finger and you'll all tackle me. 13 00:00:24,958 --> 00:00:29,129 ‐ [Narrator] The heat is on on the next Acapulco H. E. A. T. 14 00:00:32,498 --> 00:00:35,435 (upbeat pop music) 15 00:00:40,106 --> 00:00:42,943 ♪ I feel the heat 16 00:00:45,478 --> 00:00:47,313 ♪ Hey 17 00:00:48,314 --> 00:00:51,051 ♪ I feel the heat 18 00:00:51,051 --> 00:00:54,788 ♪ Burning inside me 19 00:00:54,788 --> 00:00:56,690 ♪ Burning hot 20 00:00:56,690 --> 00:00:59,526 ♪ I feel the heat 21 00:01:02,068 --> 00:01:03,336 ♪ Hot, hot, hot 22 00:01:03,336 --> 00:01:07,473 ♪ Sweat dripping down my spine 23 00:01:07,473 --> 00:01:10,310 ♪ Making me crazy 24 00:01:11,477 --> 00:01:15,549 ♪ Wet fingers touching mine 25 00:01:15,549 --> 00:01:18,785 ♪ Making me hazy 26 00:01:18,785 --> 00:01:22,222 ♪ Out on the street 27 00:01:22,222 --> 00:01:24,658 ♪ I feel the heat 28 00:01:24,658 --> 00:01:27,661 ♪ Burning inside me 29 00:01:28,762 --> 00:01:30,363 ♪ Burning hot 30 00:01:30,363 --> 00:01:32,933 ♪ I feel the heat 31 00:01:32,933 --> 00:01:35,936 ♪ Burning inside me 32 00:01:36,870 --> 00:01:38,471 ♪ Burning hot 33 00:01:38,471 --> 00:01:40,106 ♪ I feel the 34 00:01:40,106 --> 00:01:42,543 ♪ Oh 35 00:01:42,543 --> 00:01:43,944 ♪ Can you feel it 36 00:01:43,944 --> 00:01:46,412 ♪ Oh 37 00:01:46,412 --> 00:01:48,214 ♪ It's deep, deep in your soul 38 00:01:48,214 --> 00:01:50,283 ♪ Oh 39 00:01:50,283 --> 00:01:52,352 ♪ Woah, woah, woah, feel the 40 00:01:52,352 --> 00:01:54,588 ♪ Oh 41 00:01:54,588 --> 00:01:57,190 ♪ I feel the heat 42 00:01:57,190 --> 00:02:00,200 ♪ Burning inside me 43 00:02:01,134 --> 00:02:02,869 ♪ Burning hot 44 00:02:02,869 --> 00:02:05,238 ♪ I feel the heat 45 00:02:05,238 --> 00:02:08,241 ♪ Burning inside me 46 00:02:09,309 --> 00:02:11,177 ♪ Burning hot 47 00:02:11,177 --> 00:02:13,413 ♪ I feel the heat 48 00:02:13,413 --> 00:02:16,482 ♪ Burning inside me 49 00:02:16,482 --> 00:02:19,385 ♪ Burning, burning hot 50 00:02:19,385 --> 00:02:21,588 ♪ I feel the heat 51 00:02:21,588 --> 00:02:24,591 ♪ Burning inside me 52 00:02:25,592 --> 00:02:27,293 ♪ Burning hot 53 00:02:27,293 --> 00:02:30,130 ♪ I feel the heat 54 00:02:33,934 --> 00:02:35,736 ‐ [Ashley] It was Mike's birthday 55 00:02:35,736 --> 00:02:37,738 and since it was one of those rare occasions 56 00:02:37,738 --> 00:02:40,807 when the H. E. A. T. team was not on an assignment, 57 00:02:40,807 --> 00:02:43,810 I decided to surprise him with a picnic lunch. 58 00:02:43,810 --> 00:02:45,278 It was a calculated risk 59 00:02:45,278 --> 00:02:48,248 because Mike hates surprises of any kind, 60 00:02:48,248 --> 00:02:50,984 but he is my partner and though I would never 61 00:02:50,984 --> 00:02:53,554 admit it to him, he means a lot to me. 62 00:02:53,554 --> 00:02:55,121 Besides, how angry can he get 63 00:02:55,121 --> 00:02:59,159 at the perfect reminder of being a whole year older? 64 00:03:05,405 --> 00:03:06,507 ‐ Well, I think we oughta throw him 65 00:03:06,507 --> 00:03:08,675 a surprise birthday party. 66 00:03:08,675 --> 00:03:10,076 ‐ Mike won't be surprised. 67 00:03:10,076 --> 00:03:11,277 ‐ Why? 68 00:03:11,277 --> 00:03:13,046 ‐ 'Cause he is Mike and he has been trained 69 00:03:13,046 --> 00:03:15,516 to expect the unexpected. 70 00:03:15,516 --> 00:03:17,417 ‐ Then let's not give him a party then. 71 00:03:17,417 --> 00:03:18,919 That oughta surprise him. 72 00:03:18,919 --> 00:03:20,887 ‐ We can pretend we don't even know it's his birthday. 73 00:03:20,887 --> 00:03:22,756 ‐ Works for me. 74 00:03:22,756 --> 00:03:25,726 ‐ We can't do that because Ashley has a picnic planned 75 00:03:25,726 --> 00:03:27,828 and they are going to the mountains. 76 00:03:27,828 --> 00:03:29,495 ‐ Just the two of them? 77 00:03:29,495 --> 00:03:31,765 Alone up in the mountains? 78 00:03:31,765 --> 00:03:36,703 They're having a party up there and we're not invited? 79 00:03:36,703 --> 00:03:38,939 Of course we're not invited. 80 00:03:38,939 --> 00:03:41,374 What could I have been thinking? 81 00:03:41,374 --> 00:03:42,475 (laughs) 82 00:03:42,475 --> 00:03:44,210 ‐ What a crazy chick. 83 00:03:58,792 --> 00:04:02,135 (slow suspenseful music) 84 00:04:46,079 --> 00:04:46,613 (gun fires) 85 00:04:46,613 --> 00:04:47,080 ‐ Mike! 86 00:04:49,816 --> 00:04:53,153 (dramatic action music) 87 00:04:54,588 --> 00:04:56,990 (gun firing) 88 00:05:01,968 --> 00:05:03,770 ‐ Do we just have a little get together, light candles, 89 00:05:03,770 --> 00:05:05,305 sing Happy birthday, give him presents? 90 00:05:05,305 --> 00:05:06,507 ‐ That sounds pretty cool. ‐ Listen. 91 00:05:06,507 --> 00:05:07,608 Michael's been shot. 92 00:05:07,608 --> 00:05:08,842 ‐ What? ‐ Oh my god. 93 00:05:08,842 --> 00:05:10,577 ‐ He's on his way to the hospital with Ashley. 94 00:05:10,577 --> 00:05:13,113 Brett, Marcos, Cat, Tommy, I want you to search the beach 95 00:05:13,113 --> 00:05:14,648 and the rocks at that end of the beach. 96 00:05:14,648 --> 00:05:15,916 ‐ What are we looking for? 97 00:05:15,916 --> 00:05:17,150 ‐ Spent magazines, cartridges, clips, 98 00:05:17,150 --> 00:05:18,752 anything you can find that might help us. 99 00:05:18,752 --> 00:05:20,320 Krissie, the H. E. A. T. lead. 100 00:05:20,320 --> 00:05:22,122 Contact Mr. Smith, hire security. 101 00:05:22,122 --> 00:05:23,557 Tell him what's happened. 102 00:05:23,557 --> 00:05:26,492 I'm on my way to the hospital, I'll keep you informed. 103 00:05:26,492 --> 00:05:29,162 (siren blaring) 104 00:05:37,938 --> 00:05:40,507 ‐ Sorry, you have to wait here. 105 00:05:49,115 --> 00:05:51,885 (voices chattering) 106 00:05:51,885 --> 00:05:54,320 (slow music) 107 00:06:06,172 --> 00:06:08,842 (siren blaring) 108 00:06:13,747 --> 00:06:14,915 ‐ Check there. 109 00:06:24,324 --> 00:06:25,425 ‐ Brett, Cat. 110 00:06:27,961 --> 00:06:28,795 Pay dirt. 111 00:06:31,565 --> 00:06:33,333 ‐ Happy birthday. 112 00:06:33,333 --> 00:06:36,169 Somebody's been planning this for a long time. 113 00:06:36,169 --> 00:06:39,272 ‐ What kind of sick mind would do something like this? 114 00:06:39,272 --> 00:06:43,376 ‐ I can think of a few we've met along the way. 115 00:06:43,376 --> 00:06:45,045 ‐ How's Mike? 116 00:06:45,045 --> 00:06:46,079 ‐ We don't know. 117 00:06:46,079 --> 00:06:47,413 He's at the hospital now. 118 00:06:47,413 --> 00:06:49,783 ‐ That's gonna be my next stop. 119 00:06:49,783 --> 00:06:51,184 What have you found? 120 00:06:51,184 --> 00:06:53,186 ‐ A few footprints, nondescript. 121 00:06:53,186 --> 00:06:56,356 ‐ This .223 Nitro Express custom clip. 122 00:06:57,891 --> 00:07:00,601 ‐ I know only one man that makes this cartridge. 123 00:07:00,601 --> 00:07:01,434 ‐ Stavros. 124 00:07:02,803 --> 00:07:04,370 ‐ But he's in the Encinitas Hospital 125 00:07:04,370 --> 00:07:05,972 For The Criminally Insane. 126 00:07:05,972 --> 00:07:07,440 ‐ He was. 127 00:07:07,440 --> 00:07:09,342 Not until three months ago. 128 00:07:09,342 --> 00:07:10,811 Doctors decided he was well enough 129 00:07:10,811 --> 00:07:13,179 to be returned to society. 130 00:07:13,179 --> 00:07:16,216 ‐ Stavros is totally and dangerously demented. 131 00:07:16,216 --> 00:07:17,684 ‐ And he's rich. 132 00:07:17,684 --> 00:07:20,521 Doctors that work in institutions are poor. 133 00:07:20,521 --> 00:07:22,122 I'm gonna find him. 134 00:07:22,122 --> 00:07:25,559 I'm gonna put my men to work on it immediately. 135 00:07:25,559 --> 00:07:26,392 Audios. 136 00:07:28,061 --> 00:07:29,796 ‐ Why would Stavros wanna shoot Mike? 137 00:07:29,796 --> 00:07:33,266 ‐ Stavros wouldn't have the guts to do something like this, 138 00:07:33,266 --> 00:07:34,801 but I bet he knows who did. 139 00:07:34,801 --> 00:07:36,002 ‐ Yeah, and I bet we can find him 140 00:07:36,002 --> 00:07:37,437 before Officer Rodriguez does. 141 00:07:37,437 --> 00:07:38,271 Come on. 142 00:07:39,573 --> 00:07:40,841 (slow ominous music) 143 00:07:40,841 --> 00:07:41,942 ‐ [Doctor] I have a crosspatch stat. 144 00:07:41,942 --> 00:07:43,677 What's his BP? ‐ 80 over 60. 145 00:07:43,677 --> 00:07:44,611 ‐ [Doctor] All right, good. 146 00:07:44,611 --> 00:07:46,046 Let's see if I can fit a 2D. 147 00:07:46,046 --> 00:07:47,614 Now pull up on that. ‐ Respiration, 15. 148 00:07:47,614 --> 00:07:48,949 ‐ Right. ‐ Pulse, 80. 149 00:07:48,949 --> 00:07:50,350 ‐ [Doctor] Great. 150 00:07:52,152 --> 00:07:52,986 ‐ Ashley. 151 00:07:55,556 --> 00:07:56,923 Don't give up. 152 00:07:56,923 --> 00:07:58,458 I wouldn't. 153 00:07:58,458 --> 00:07:59,993 ‐ [Doctor] 300. (machine beeping) 154 00:07:59,993 --> 00:08:01,267 All right, clear. 155 00:08:01,267 --> 00:08:02,603 ‐ [Doctor] Clear. 156 00:08:02,603 --> 00:08:04,304 ‐ Find anything? ‐ No, it's black. 157 00:08:04,304 --> 00:08:05,506 ‐ All right, do it again. 158 00:08:05,506 --> 00:08:06,339 Clear. 159 00:08:07,874 --> 00:08:10,611 All right, give me ten of these. 160 00:08:10,611 --> 00:08:12,546 All right, here we go. 161 00:08:12,546 --> 00:08:16,382 (crowd cheering and clapping) 162 00:08:23,690 --> 00:08:26,126 (bell dings) 163 00:08:28,762 --> 00:08:30,597 He's tough and strong. 164 00:08:31,798 --> 00:08:33,499 He made it this far. 165 00:08:33,499 --> 00:08:37,237 The next 24 hours will be critical. 166 00:08:37,237 --> 00:08:40,541 I thought you might want to see this. 167 00:08:40,541 --> 00:08:43,276 There is something written on it. 168 00:08:46,012 --> 00:08:47,514 ‐ Mike? 169 00:08:47,514 --> 00:08:49,449 ‐ Happy birthday was written on the cartridge. 170 00:08:49,449 --> 00:08:51,852 (slow ominous music) 171 00:08:51,852 --> 00:08:55,388 ‐ There's only one person I know who would do that, 172 00:08:55,388 --> 00:08:57,724 but he's out of circulation. 173 00:08:58,892 --> 00:09:00,500 ‐ I got all my men working on it. 174 00:09:00,500 --> 00:09:03,469 Whoever did it, we're gonna get him. 175 00:09:04,671 --> 00:09:05,906 Thank you, Doc. 176 00:09:14,114 --> 00:09:16,950 (machine beeping) 177 00:09:19,419 --> 00:09:20,854 ‐ I'll take it for now, Ashley. 178 00:09:20,854 --> 00:09:22,589 ‐ I'd prefer to stay. 179 00:09:25,626 --> 00:09:28,829 ‐ Mr. Smith needs to talk to you in the H. E. A. T. room. 180 00:09:28,829 --> 00:09:30,564 ‐ Mr. Smith can wait. 181 00:09:32,766 --> 00:09:35,769 ‐ I think that you need some time. 182 00:09:35,769 --> 00:09:39,773 I'll let you know if there are any changes. 183 00:09:39,773 --> 00:09:42,676 Look, Ashley, all you're doing is occupying space here. 184 00:09:42,676 --> 00:09:45,779 I can do that just as well as you. 185 00:09:45,779 --> 00:09:46,613 Come on. 186 00:09:47,548 --> 00:09:48,381 Come on. 187 00:10:12,312 --> 00:10:13,814 ‐ Have you started compiling a list of possibilities? 188 00:10:13,814 --> 00:10:15,582 ‐ Krissie is working on it. 189 00:10:15,582 --> 00:10:18,151 We're assuming it's someone from our past. 190 00:10:18,151 --> 00:10:21,855 ‐ At this point, that may be a dangerous assumption. 191 00:10:21,855 --> 00:10:23,356 There could be many others who predate 192 00:10:23,356 --> 00:10:25,291 the formation of the H. E. A. T. team 193 00:10:25,291 --> 00:10:28,161 who might want one or both of you dead. 194 00:10:28,161 --> 00:10:31,331 The CIA and MI6 are each doing a search. 195 00:10:31,331 --> 00:10:33,867 ‐ Good, thank you, Mr. Smith. 196 00:10:33,867 --> 00:10:36,202 ‐ Well, I'll put out a top priority inquiry. 197 00:10:36,202 --> 00:10:38,104 If there's the smallest hint, 198 00:10:38,104 --> 00:10:40,473 one of my contacts will know about it. 199 00:10:40,473 --> 00:10:43,309 Let me know if there's any change. 200 00:10:46,813 --> 00:10:49,149 ‐ Ashley, you okay? 201 00:10:49,149 --> 00:10:52,819 ‐ Krissie, see if you can get me a present day 202 00:10:52,819 --> 00:10:55,689 up to this minute location on Strake. 203 00:10:55,689 --> 00:10:58,391 ‐ I can patch us in with the prion security system. 204 00:10:58,391 --> 00:11:00,466 It'll only take moments. 205 00:11:00,466 --> 00:11:03,504 (slow ominous music) 206 00:11:04,705 --> 00:11:06,372 Neil Strake. 207 00:11:06,372 --> 00:11:07,974 Live on television. 208 00:11:09,109 --> 00:11:11,912 There's no way this could be faked. 209 00:11:33,700 --> 00:11:34,267 ‐ Don't be lonely. 210 00:11:35,435 --> 00:11:38,872 ‐ Why can't you ask for something reasonable? 211 00:11:38,872 --> 00:11:40,707 That team is business. 212 00:11:41,608 --> 00:11:44,044 What we've got is personal. 213 00:11:44,044 --> 00:11:45,512 You listen to me. 214 00:11:45,512 --> 00:11:48,782 If you can't learn to separate your personal life 215 00:11:48,782 --> 00:11:50,350 from your professional life, 216 00:11:50,350 --> 00:11:54,287 you're gonna end up a bitter, lonely old woman. 217 00:11:56,122 --> 00:11:58,959 (person knocking) 218 00:12:10,110 --> 00:12:11,812 ‐ I've come to pick up the clothes 219 00:12:11,812 --> 00:12:14,280 for Mr. and Mrs. Savage's funeral. 220 00:12:14,280 --> 00:12:16,149 ‐ Mr. and Mrs. Savage? 221 00:12:16,149 --> 00:12:18,451 ‐ Michael and Ashley Savage. 222 00:12:18,451 --> 00:12:19,986 ‐ Who sent you? 223 00:12:19,986 --> 00:12:21,955 Who do you work for? 224 00:12:21,955 --> 00:12:23,456 ‐ Santos Mortuary. 225 00:12:24,625 --> 00:12:25,926 The funeral will be day after tomorrow 226 00:12:25,926 --> 00:12:27,961 at Los Eleva Cemetery. 227 00:12:27,961 --> 00:12:29,530 ‐ Who made the arrangements? 228 00:12:29,530 --> 00:12:30,797 ‐ There was a phone call. 229 00:12:30,797 --> 00:12:32,265 ‐ A man or a woman? 230 00:12:32,265 --> 00:12:33,433 ‐ A woman. 231 00:12:33,433 --> 00:12:35,101 ‐ What was her name? 232 00:12:36,102 --> 00:12:37,604 How were you paid? 233 00:12:38,471 --> 00:12:41,341 ‐ In cash by a messenger. 234 00:12:41,341 --> 00:12:45,078 She did say she was an old friend of the Savages. 235 00:12:45,078 --> 00:12:46,079 ‐ All right. 236 00:12:47,247 --> 00:12:49,282 You may proceed with the arrangements, 237 00:12:49,282 --> 00:12:51,785 but only up to a point. 238 00:12:51,785 --> 00:12:54,888 (slow ominous music) 239 00:13:00,400 --> 00:13:04,838 There's only one person I know who'd do this. 240 00:13:04,838 --> 00:13:05,839 Neil Strake. 241 00:13:07,541 --> 00:13:10,210 I'm gonna go see him for myself. 242 00:13:13,947 --> 00:13:17,117 (upbeat action music) 243 00:13:35,068 --> 00:13:36,002 ‐ Did you get that cartridge back from Colonel Rodriguez? 244 00:13:36,002 --> 00:13:37,237 ‐ Got it right in my pocket. 245 00:13:37,237 --> 00:13:38,138 ‐ Beautiful. 246 00:13:38,138 --> 00:13:39,540 ‐ Stavros in there? 247 00:13:39,540 --> 00:13:40,874 ‐ He just went in about five minutes ago 248 00:13:40,874 --> 00:13:42,075 with three other guys. 249 00:13:42,075 --> 00:13:43,510 That's why I called you for backup. 250 00:13:43,510 --> 00:13:44,878 ‐ Okay, now remember. 251 00:13:44,878 --> 00:13:46,780 Stavros is a loony toon. 252 00:13:46,780 --> 00:13:48,815 He's nutty as a fruitcake. 253 00:13:48,815 --> 00:13:49,816 ‐ That's all right. 254 00:13:49,816 --> 00:13:51,217 I like fruitcake. 255 00:14:00,500 --> 00:14:01,635 ‐ Mr. Stavros. 256 00:14:03,269 --> 00:14:05,071 Can we talk to you for a minute? 257 00:14:05,071 --> 00:14:07,007 ‐ Certainly, about anything in particular 258 00:14:07,007 --> 00:14:09,109 or just to pass the time of day? 259 00:14:09,109 --> 00:14:10,977 ‐ About this. 260 00:14:10,977 --> 00:14:13,146 ‐ Just put it down please. 261 00:14:14,781 --> 00:14:15,616 Step back. 262 00:14:19,986 --> 00:14:21,588 ‐ You recognize that? 263 00:14:21,588 --> 00:14:22,656 ‐ Of course. 264 00:14:22,656 --> 00:14:24,925 It's a .223 Nitro Express. 265 00:14:24,925 --> 00:14:26,192 It's my specialty. 266 00:14:26,192 --> 00:14:28,028 ‐ Oh, so you admit that that's your cartridge? 267 00:14:28,028 --> 00:14:29,095 ‐ Why would I deny it? 268 00:14:29,095 --> 00:14:30,496 I'm proud of my work. 269 00:14:30,496 --> 00:14:31,665 ‐ That's nice. 270 00:14:32,866 --> 00:14:36,903 That cartridge was used in an attempted murder. 271 00:14:36,903 --> 00:14:38,404 ‐ What a shame. 272 00:14:38,404 --> 00:14:42,543 ‐ We'd like to know what you can tell us about it. 273 00:14:42,543 --> 00:14:45,045 ‐ Is this the normal police procedure? 274 00:14:45,045 --> 00:14:47,213 Do the police go to Winchester or Remington 275 00:14:47,213 --> 00:14:48,749 every time a shot is fired 276 00:14:48,749 --> 00:14:50,884 and question the manufacturer of the bullet? 277 00:14:50,884 --> 00:14:51,718 No, why? 278 00:14:53,219 --> 00:14:56,056 Because we don't put serial numbers on the bullet. 279 00:14:56,056 --> 00:15:00,100 How do I know who purchased that bullet? 280 00:15:00,100 --> 00:15:01,568 Don't touch me. 281 00:15:01,568 --> 00:15:03,837 I hate to be touched. (slow ominous music) 282 00:15:03,837 --> 00:15:06,172 ‐ I'm gonna do a lot more than touch you if you don't‐‐ 283 00:15:06,172 --> 00:15:07,140 (grunts) 284 00:15:07,140 --> 00:15:08,809 ‐ I told you not to touch me. 285 00:15:08,809 --> 00:15:11,912 I can't stand people that touch me. 286 00:15:11,912 --> 00:15:12,746 Boys! 287 00:15:12,746 --> 00:15:14,414 (upbeat action music) 288 00:15:14,414 --> 00:15:17,083 (men grunting) 289 00:15:38,739 --> 00:15:39,673 (slow ominous music) 290 00:15:39,673 --> 00:15:42,175 ‐ Boys, they weren't so tough. 291 00:16:03,570 --> 00:16:04,237 ‐ Well, well, well. 292 00:16:05,706 --> 00:16:09,843 I haven't had a visitor in weeks and look who it is. 293 00:16:14,180 --> 00:16:16,950 I knew you couldn't resist the urge to see me again, Ashley. 294 00:16:16,950 --> 00:16:17,784 I knew it. 295 00:16:19,653 --> 00:16:22,556 ‐ Chess can't be much of a challenge playing alone. 296 00:16:22,556 --> 00:16:24,124 Where are the surprises? 297 00:16:24,124 --> 00:16:26,660 ‐ I cheat for both sides. 298 00:16:26,660 --> 00:16:29,996 I'm so good, I actually surprise myself. 299 00:16:30,964 --> 00:16:32,432 ‐ Nice room. 300 00:16:32,432 --> 00:16:34,200 Not much of a view. 301 00:16:34,200 --> 00:16:36,670 ‐ Around here, I am the view. 302 00:16:36,670 --> 00:16:38,872 Can you imagine anything more interesting 303 00:16:38,872 --> 00:16:40,440 than me playing chess? 304 00:16:40,440 --> 00:16:44,578 ‐ Watching your execution comes to mind. 305 00:16:44,578 --> 00:16:48,715 ‐ That's cruel, but you always were the clever one. 306 00:16:48,715 --> 00:16:50,751 Now, does this visit have a purpose? 307 00:16:50,751 --> 00:16:54,755 ‐ Just had this uncanny desire to see your face. 308 00:16:55,889 --> 00:16:57,824 ‐ I knew you felt the same way as I do. 309 00:16:57,824 --> 00:16:59,826 I knew it, Ashley, I knew it. 310 00:16:59,826 --> 00:17:01,702 ‐ You've changed. 311 00:17:01,702 --> 00:17:03,236 ‐ I have, how? 312 00:17:03,236 --> 00:17:05,972 ‐ You've lost your tan. 313 00:17:05,972 --> 00:17:07,608 ‐ Your old partner's a little bit pale 314 00:17:07,608 --> 00:17:09,275 these days himself, isn't he? 315 00:17:09,275 --> 00:17:11,411 ‐ He's getting a lot better, thank you. 316 00:17:11,411 --> 00:17:12,846 ‐ That's too bad. 317 00:17:14,247 --> 00:17:16,049 ‐ Might I suggest a move? 318 00:17:16,049 --> 00:17:17,618 ‐ Please. 319 00:17:17,618 --> 00:17:19,285 I'm black of course. 320 00:17:19,285 --> 00:17:20,286 ‐ Of course. 321 00:17:21,822 --> 00:17:23,389 ‐ [Neil] Take your time. 322 00:17:23,389 --> 00:17:25,125 I'm in no great rush. 323 00:17:26,326 --> 00:17:28,729 ‐ Queen to king's knight two. 324 00:17:40,106 --> 00:17:40,941 Checkmate. 325 00:17:42,743 --> 00:17:44,244 ‐ Congratulations. 326 00:17:45,746 --> 00:17:48,248 ‐ This man is not Neil Strake. 327 00:17:51,484 --> 00:17:53,186 It won't take long for Strake 328 00:17:53,186 --> 00:17:55,088 to find out that we're onto him. 329 00:17:55,088 --> 00:17:56,289 I'm convinced he's gonna make 330 00:17:56,289 --> 00:17:58,124 another attempt on Mike's life. 331 00:17:58,124 --> 00:18:00,433 I want the security at the hospital doubled 332 00:18:00,433 --> 00:18:01,668 and I want to arrange to have 333 00:18:01,668 --> 00:18:03,904 something special waiting for him. 334 00:18:03,904 --> 00:18:06,172 ‐ Marcos, Tommy, come in. 335 00:18:06,172 --> 00:18:07,407 ‐ How did you know? 336 00:18:07,407 --> 00:18:09,409 ‐ Strake is a grand master. 337 00:18:09,409 --> 00:18:11,678 I can play, but I could never beat him 338 00:18:11,678 --> 00:18:13,079 and the way that the board was set up 339 00:18:13,079 --> 00:18:14,515 so that white could win, 340 00:18:14,515 --> 00:18:16,983 even if Strake was playing both sides, 341 00:18:16,983 --> 00:18:18,952 he would never let white win. 342 00:18:18,952 --> 00:18:21,955 ‐ Prison checked his fingerprints. 343 00:18:21,955 --> 00:18:24,457 The man in the cell is definitely not Strake. 344 00:18:24,457 --> 00:18:25,892 ‐ Then who is it? 345 00:18:25,892 --> 00:18:27,894 ‐ Surgically altered double. 346 00:18:27,894 --> 00:18:29,295 ‐ Two Strakes? 347 00:18:29,295 --> 00:18:30,631 ‐ Let's hope not. 348 00:18:30,631 --> 00:18:34,601 ‐ An isolation cell in a maximum security prison. 349 00:18:34,601 --> 00:18:35,836 How did he do it? 350 00:18:35,836 --> 00:18:38,639 ‐ I'm assuming that he escaped during the riot. 351 00:18:38,639 --> 00:18:41,041 ‐ Then he's been on the loose for weeks. 352 00:18:41,041 --> 00:18:42,909 ‐ [Arthur] Which puts him way ahead of us. 353 00:18:42,909 --> 00:18:44,110 ‐ [Ashley] Exactly. 354 00:18:44,110 --> 00:18:48,181 (slow ominous music) (siren blaring) 355 00:18:49,516 --> 00:18:53,086 (machine beeping steadily) 356 00:19:06,773 --> 00:19:10,276 (machine beeping rapidly) 357 00:19:22,122 --> 00:19:23,423 ‐ What's happening? 358 00:19:23,423 --> 00:19:26,092 ‐ Not good, I'll get the doctor. 359 00:19:29,763 --> 00:19:31,431 ‐ I have no place to run. 360 00:19:31,431 --> 00:19:32,899 I have no place to hide. 361 00:19:32,899 --> 00:19:34,434 I'm a hunted man in every country 362 00:19:34,434 --> 00:19:36,603 in the world except for this one. 363 00:19:36,603 --> 00:19:38,338 What am I going to do? 364 00:19:38,338 --> 00:19:40,073 ‐ Have you tried meditation? 365 00:19:40,073 --> 00:19:42,442 ‐ You may have just destroyed me, Neil. 366 00:19:42,442 --> 00:19:44,310 ‐ How have I destroyed you, Stavros? 367 00:19:44,310 --> 00:19:45,445 ‐ [Stavros] You left the cartridge 368 00:19:45,445 --> 00:19:46,680 at the scene of the crime. 369 00:19:46,680 --> 00:19:47,648 ‐ Well, of course I did. 370 00:19:47,648 --> 00:19:48,915 ‐ My cartridge. 371 00:19:48,915 --> 00:19:50,717 ‐ It's not your cartridge. 372 00:19:50,717 --> 00:19:52,218 It's my cartridge. 373 00:19:52,218 --> 00:19:55,255 I paid for it and I could choose to dispose of it 374 00:19:55,255 --> 00:19:58,959 any way I saw fit and I saw fit to leave it where it fell. 375 00:19:58,959 --> 00:20:00,734 ‐ Not very professional, Neil. 376 00:20:00,734 --> 00:20:05,005 ‐ I had to send a message to Miss Ashley Hunter‐Coddington. 377 00:20:05,005 --> 00:20:07,741 That was the means I choose. 378 00:20:07,741 --> 00:20:09,242 Do you understand? 379 00:20:10,343 --> 00:20:11,878 ‐ Don't you dare touch me. 380 00:20:11,878 --> 00:20:13,880 (Neil laughs) 381 00:20:13,880 --> 00:20:16,550 ‐ What's this silly little fetish about being touched? 382 00:20:16,550 --> 00:20:18,118 ‐ What is your silly little obsession 383 00:20:18,118 --> 00:20:20,186 about Miss Ashley Hunter‐Coddington? 384 00:20:20,186 --> 00:20:23,089 ‐ No, it's not an obsession. 385 00:20:23,089 --> 00:20:25,726 It's respect for her mind. 386 00:20:25,726 --> 00:20:28,662 Appreciation of her finesse. 387 00:20:28,662 --> 00:20:30,997 Admiration for her talents. 388 00:20:30,997 --> 00:20:32,733 ‐ Desire for her body? 389 00:20:32,733 --> 00:20:34,234 ‐ Absolutely not. 390 00:20:34,234 --> 00:20:37,604 Do you think I'm driven by these base animal instincts? 391 00:20:37,604 --> 00:20:39,039 ‐ In a word, yes. 392 00:20:40,140 --> 00:20:42,576 (both laugh) 393 00:20:43,810 --> 00:20:46,179 ‐ Go home, Stavros. 394 00:20:46,179 --> 00:20:48,214 Stop flattering yourself. 395 00:20:48,214 --> 00:20:50,016 No one wants you. 396 00:20:50,016 --> 00:20:53,854 You're utterly inconsequential in this matter. 397 00:21:01,802 --> 00:21:04,170 ‐ Do you want me to kill him? 398 00:21:04,170 --> 00:21:05,906 (slow ominous music) 399 00:21:05,906 --> 00:21:07,841 ‐ It's me they want. 400 00:21:07,841 --> 00:21:10,010 It's me they're going to get. 401 00:21:10,010 --> 00:21:11,277 Like it or not. 402 00:21:12,879 --> 00:21:14,881 ‐ [Assistant] Si, senor. 403 00:21:16,249 --> 00:21:17,518 ‐ Where is he? 404 00:21:17,518 --> 00:21:19,052 ‐ Damaged artery ruptured. 405 00:21:19,052 --> 00:21:21,221 He's lost a lot of blood, but everything appears to be okay. 406 00:21:21,221 --> 00:21:22,656 ‐ Can I see him? 407 00:21:22,656 --> 00:21:24,591 ‐ Not at the moment, nobody can see him actually. 408 00:21:24,591 --> 00:21:26,359 He's in intensive care. 409 00:21:26,359 --> 00:21:28,261 Tommy and Marcos are right outside. 410 00:21:28,261 --> 00:21:31,598 (slow melancholy music) 411 00:21:34,000 --> 00:21:38,739 ‐ Strake's double went into prison wearing a false beard. 412 00:21:38,739 --> 00:21:41,875 During the writer, he made contact with Strake. 413 00:21:41,875 --> 00:21:44,410 He changed clothes and the beard 414 00:21:44,410 --> 00:21:47,047 and Strake just walked out. 415 00:21:47,047 --> 00:21:48,649 The guards were too busy stopping the fighting 416 00:21:48,649 --> 00:21:51,652 to pay attention to a visitor leaving the prison. 417 00:21:51,652 --> 00:21:55,188 Now, Strake could not have escaped 418 00:21:55,188 --> 00:21:56,557 without help from the outside. 419 00:21:56,557 --> 00:21:57,558 ‐ Obviously. 420 00:21:57,558 --> 00:22:00,026 ‐ This takes us to Stavros. 421 00:22:00,026 --> 00:22:02,435 Stavros found a man that looked like Strake, 422 00:22:02,435 --> 00:22:05,271 paid him a lot of money to have plastic surgery. 423 00:22:05,271 --> 00:22:07,908 This made the resemblance uncanny. 424 00:22:07,908 --> 00:22:10,476 ‐ Strake's double must have been desperate for money. 425 00:22:10,476 --> 00:22:13,113 ‐ No, he just wanted to continue living. 426 00:22:13,113 --> 00:22:17,851 You see, Stavros made him an offer he couldn't refuse. 427 00:22:17,851 --> 00:22:19,920 ‐ Why don't you arrest him? 428 00:22:19,920 --> 00:22:22,589 ‐ Because Stavros has an immense fortune 429 00:22:22,589 --> 00:22:24,825 and has a lot of people working for him. 430 00:22:24,825 --> 00:22:26,560 He never does anything for himself. 431 00:22:26,560 --> 00:22:29,229 He has other people do the jobs for him. 432 00:22:29,229 --> 00:22:32,699 ‐ Why would a man like Stavros need Strake? 433 00:22:32,699 --> 00:22:34,968 ‐ I don't know, maybe Stavros is about to start an operation 434 00:22:34,968 --> 00:22:37,971 that requires the services of a trained killer, 435 00:22:37,971 --> 00:22:42,543 which brings me to the question why would Stavros and Strake 436 00:22:42,543 --> 00:22:44,611 want him to shoot a man like Mike? 437 00:22:44,611 --> 00:22:46,012 ‐ I have no idea. 438 00:22:47,648 --> 00:22:49,282 ‐ I think you do. 439 00:22:49,282 --> 00:22:51,652 But listen, I don't know what you guys are doing here, 440 00:22:51,652 --> 00:22:53,453 but when you're doing it, 441 00:22:53,453 --> 00:22:55,722 you're doing at a level above my head, 442 00:22:55,722 --> 00:22:59,025 but not altogether out of my view. 443 00:22:59,025 --> 00:23:00,433 ‐ I don't know what you mean, Colonel. 444 00:23:00,433 --> 00:23:02,603 (Rodriguez laughs) 445 00:23:02,603 --> 00:23:04,370 ‐ I'm not asking you to explain me. 446 00:23:04,370 --> 00:23:05,305 It is not my business. 447 00:23:05,305 --> 00:23:08,008 Well, it's just not my business. 448 00:23:08,008 --> 00:23:09,976 I just wanted you to understand 449 00:23:09,976 --> 00:23:12,879 if you need any help, don't hesitate. 450 00:23:12,879 --> 00:23:14,314 Call us. 451 00:23:14,314 --> 00:23:16,282 ‐ Thank you very much. 452 00:23:16,282 --> 00:23:19,352 ‐ It is my pleasure and take care of Senor Savage. 453 00:23:19,352 --> 00:23:20,186 ‐ I will. 454 00:23:23,724 --> 00:23:26,560 (machine beeping) 455 00:23:32,432 --> 00:23:33,499 How's he doing? 456 00:23:33,499 --> 00:23:35,936 ‐ We should know by tomorrow. 457 00:23:45,045 --> 00:23:45,946 ‐ I'll be outside. 458 00:23:45,946 --> 00:23:47,347 ‐ Thanks, Arthur. 459 00:23:52,919 --> 00:23:55,155 Seems so strange not to be arguing with you. 460 00:23:55,155 --> 00:23:58,424 (romantic piano music) 461 00:24:09,142 --> 00:24:09,976 You can't. 462 00:24:11,912 --> 00:24:13,079 You can't die. 463 00:24:14,615 --> 00:24:16,617 You can't do this to me. 464 00:24:19,753 --> 00:24:22,789 ‐ Guess we pulled that one out of the hat, didn't we? 465 00:24:22,789 --> 00:24:24,858 ‐ And we can do it again, Michael. 466 00:24:24,858 --> 00:24:25,759 ‐ Think so? 467 00:24:27,561 --> 00:24:29,229 ‐ Do you remember Frankfurt was the first place 468 00:24:29,229 --> 00:24:31,397 you asked me for a kiss for luck? 469 00:24:31,397 --> 00:24:32,933 ‐ What did you say? 470 00:24:32,933 --> 00:24:34,334 ‐ I said no. 471 00:24:34,334 --> 00:24:37,103 ‐ But that's what you always say. 472 00:24:42,075 --> 00:24:43,143 ‐ Come along, partner. 473 00:24:43,143 --> 00:24:44,978 Let's go back to work. 474 00:24:49,349 --> 00:24:51,752 I haven't, I haven't decided. 475 00:24:54,320 --> 00:24:55,221 It's not... 476 00:24:58,592 --> 00:25:01,434 I don't know how I feel about you, it's not finished. 477 00:25:01,434 --> 00:25:03,770 It's not settled between us. 478 00:25:05,606 --> 00:25:06,439 And 479 00:25:07,741 --> 00:25:08,675 if you die, 480 00:25:09,976 --> 00:25:11,878 I hope you can hear me. 481 00:25:13,179 --> 00:25:16,817 I hate to admit this, but I care about you 482 00:25:16,817 --> 00:25:20,654 more than I've ever cared about any man. 483 00:25:20,654 --> 00:25:24,490 Now, I'm not saying that I'm in love with you, 484 00:25:26,492 --> 00:25:27,994 but you can't die. 485 00:25:31,431 --> 00:25:34,935 This thing between us isn't settled yet. 486 00:25:34,935 --> 00:25:36,436 I haven't decided. 487 00:25:39,272 --> 00:25:42,108 I don't know how I feel about you. 488 00:25:44,110 --> 00:25:46,446 If you die, I'll never know. 489 00:25:47,881 --> 00:25:50,016 Neither will you. 490 00:25:50,016 --> 00:25:50,851 Mike. 491 00:25:54,020 --> 00:25:55,789 Don't give up please. 492 00:25:59,425 --> 00:26:03,336 (crowd cheering and yelling) 493 00:26:03,336 --> 00:26:06,372 (bell dings) 494 00:26:06,372 --> 00:26:09,042 (Mike grunting) 495 00:26:11,044 --> 00:26:13,479 (bell dings) 496 00:26:16,416 --> 00:26:19,452 ‐ Don't be angry with me please. 497 00:26:19,452 --> 00:26:21,688 I don't know what to do when you're angry with me. 498 00:26:21,688 --> 00:26:24,024 ‐ I'm not angry with you, I'm just bitterly disappointed. 499 00:26:24,024 --> 00:26:26,192 ‐ I know and I understand, 500 00:26:29,429 --> 00:26:30,697 but I couldn't. 501 00:26:32,298 --> 00:26:33,534 I haven't. 502 00:26:33,534 --> 00:26:36,637 ‐ Couldn't what, you haven't what? 503 00:26:36,637 --> 00:26:38,705 ‐ Kill the man. 504 00:26:38,705 --> 00:26:41,174 ‐ You're not killing the man. 505 00:26:41,174 --> 00:26:43,343 You are releasing him from the pain 506 00:26:43,343 --> 00:26:46,747 and the anguish he's suffering this very moment 507 00:26:46,747 --> 00:26:51,051 and if he were conscious, he would probably thank you. 508 00:26:51,051 --> 00:26:52,953 ‐ I don't know. 509 00:26:52,953 --> 00:26:54,921 ‐ [Neil] I thought you said you loved me. 510 00:26:54,921 --> 00:26:56,122 ‐ I do love you. 511 00:26:56,122 --> 00:26:57,891 ‐ Thought you wanted me to be happy. 512 00:26:57,891 --> 00:26:59,760 ‐ [Nurse Ramos] Yes. 513 00:26:59,760 --> 00:27:01,602 ‐ You want us to be together? 514 00:27:01,602 --> 00:27:03,737 ‐ Oh, more than anything. 515 00:27:03,737 --> 00:27:07,608 ‐ Then will you do what I ask you to do? 516 00:27:07,608 --> 00:27:08,441 Will you? 517 00:27:09,876 --> 00:27:11,177 ‐ Yes. 518 00:27:11,177 --> 00:27:12,445 (Neil laughs) 519 00:27:12,445 --> 00:27:14,615 ‐ Oh my sweet, my dearest. 520 00:27:16,817 --> 00:27:19,052 Greater love hath no woman. 521 00:27:42,643 --> 00:27:45,111 (slow suspenseful music) 522 00:27:59,793 --> 00:28:01,802 (upbeat disco music) 523 00:28:01,802 --> 00:28:03,570 ♪ Out on the street 524 00:28:03,570 --> 00:28:05,639 ♪ The doctors know your name 525 00:28:05,639 --> 00:28:07,708 ♪ You face the unemployment 526 00:28:07,708 --> 00:28:09,710 ♪ And the drugs again 527 00:28:09,710 --> 00:28:11,745 ♪ The world will start deceiving 528 00:28:11,745 --> 00:28:13,747 ♪ To put you to the test 529 00:28:13,747 --> 00:28:15,516 ♪ The violence of the killing 530 00:28:15,516 --> 00:28:18,051 ♪ Fill the Candy Land Express 531 00:28:18,051 --> 00:28:20,053 ♪ Hope is a lost expression 532 00:28:20,053 --> 00:28:22,022 ♪ Truth, I wanna know the meaning of the word 533 00:28:22,022 --> 00:28:26,126 ♪ Love, need an act that's seldom seen but often heard 534 00:28:26,126 --> 00:28:28,161 ♪ War, I feel it all around me 535 00:28:28,161 --> 00:28:30,731 ♪ Fight, what I'm gonna do 536 00:28:30,731 --> 00:28:32,599 ♪ I leave all ignorance behind 537 00:28:32,599 --> 00:28:37,403 ♪ I'm breaking out of the darkness and into the light 538 00:28:37,403 --> 00:28:41,441 ♪ Lose all the violence of everyday life 539 00:28:41,441 --> 00:28:43,510 ♪ Out of the darkness 540 00:28:43,510 --> 00:28:45,512 ♪ I want you 541 00:28:45,512 --> 00:28:49,683 ♪ Life is a victory and I've got proof 542 00:28:50,984 --> 00:28:54,621 ♪ And then I step in and take a look around 543 00:28:54,621 --> 00:28:56,356 ♪ A city cries for justice 544 00:28:56,356 --> 00:28:58,692 ♪ But there's no voice to be found 545 00:28:58,692 --> 00:29:00,767 ♪ A lack of young girls playing 546 00:29:00,767 --> 00:29:02,669 ♪ Rip the shotgun blasts 547 00:29:02,669 --> 00:29:04,270 ♪ Seems just like there's nothing 548 00:29:04,270 --> 00:29:06,840 ♪ As the car goes speeding past 549 00:29:06,840 --> 00:29:08,909 ♪ Change, I can make it happen 550 00:29:08,909 --> 00:29:10,844 ♪ Voice, raise it loud and clear 551 00:29:10,844 --> 00:29:14,981 ♪ Truth, cries of tens of millions ringing in my ear 552 00:29:14,981 --> 00:29:17,017 ♪ Time to make the world a difference 553 00:29:17,017 --> 00:29:19,586 ♪ Now it's up to me and you 554 00:29:19,586 --> 00:29:21,387 ♪ We'll have to raise a little hell 555 00:29:21,387 --> 00:29:26,126 ♪ Before we're out of the darkness and into the light 556 00:29:26,126 --> 00:29:30,230 ♪ Hope on the conscience of everyday life 557 00:29:30,230 --> 00:29:32,198 ♪ Out of the darkness 558 00:29:32,198 --> 00:29:34,167 ♪ I want you 559 00:29:34,167 --> 00:29:38,404 ♪ But life is a victory for me and you 560 00:29:38,404 --> 00:29:42,576 ♪ Out of the darkness and into the light 561 00:29:45,579 --> 00:29:49,082 (eerie suspenseful music) 562 00:30:22,656 --> 00:30:23,053 ‐ Ashley. 563 00:30:26,459 --> 00:30:28,461 Here I am, ready or not. 564 00:30:33,033 --> 00:30:34,467 Looking for this? 565 00:30:39,540 --> 00:30:40,841 ‐ How did you get in? 566 00:30:40,841 --> 00:30:43,443 ‐ Piece of cake for a man of my talents. 567 00:30:43,443 --> 00:30:45,411 ‐ You have me at a disadvantage. 568 00:30:45,411 --> 00:30:47,648 ‐ I wouldn't have you any other way. 569 00:30:47,648 --> 00:30:48,982 Did you miss me? 570 00:30:49,950 --> 00:30:50,951 ‐ Of course. 571 00:30:52,152 --> 00:30:53,720 ‐ [Neil] Are you pleased to see me? 572 00:30:53,720 --> 00:30:55,455 ‐ Delighted. 573 00:30:55,455 --> 00:30:58,058 ‐ You're very agreeable tonight. 574 00:30:58,058 --> 00:30:59,760 ‐ You have the gun. 575 00:30:59,760 --> 00:31:01,301 ‐ You mean this old thing? 576 00:31:01,301 --> 00:31:02,936 There. 577 00:31:02,936 --> 00:31:04,204 All gone. 578 00:31:04,204 --> 00:31:07,774 ‐ (laughs) You are the strangest man. 579 00:31:07,774 --> 00:31:10,276 ‐ I have many different facets of my personality. 580 00:31:10,276 --> 00:31:13,246 ‐ Don't they call that schizophrenia? 581 00:31:13,246 --> 00:31:16,482 ‐ Only those people who get paid to put a name on it 582 00:31:16,482 --> 00:31:18,719 and get paid even more to try and cure it. 583 00:31:18,719 --> 00:31:20,420 No, I prefer to think of myself 584 00:31:20,420 --> 00:31:23,089 as unpredictable and capricious. 585 00:31:24,290 --> 00:31:27,894 ‐ I prefer to think of you as gone, history, 586 00:31:29,095 --> 00:31:32,198 out of here, locked up somewhere secure. 587 00:31:34,034 --> 00:31:35,335 ‐ You're angry at me. 588 00:31:35,335 --> 00:31:36,336 ‐ You shot Mike. 589 00:31:36,336 --> 00:31:37,403 ‐ I did, didn't I? 590 00:31:37,403 --> 00:31:38,338 ‐ You may have killed him. 591 00:31:38,338 --> 00:31:39,773 ‐ Oh, I did my best. 592 00:31:39,773 --> 00:31:42,809 My very best, but I did it for us, 593 00:31:42,809 --> 00:31:45,111 so we could be together. 594 00:31:45,111 --> 00:31:47,113 The man is a clot. 595 00:31:47,113 --> 00:31:49,382 He's a muscle‐bound cretin. 596 00:31:51,718 --> 00:31:54,154 He's not worthy of a woman like you. 597 00:31:54,154 --> 00:31:56,857 I did what I had to do to set you free. 598 00:31:56,857 --> 00:31:59,292 ‐ Did I ever ask you to set me free? 599 00:31:59,292 --> 00:32:01,835 ‐ Not in so many words. 600 00:32:01,835 --> 00:32:06,006 A woman asks for what she needs in subtle diverse ways. 601 00:32:06,907 --> 00:32:08,742 ‐ You're demented. 602 00:32:08,742 --> 00:32:09,576 Deranged. 603 00:32:10,644 --> 00:32:12,178 Psychotic. 604 00:32:12,178 --> 00:32:13,013 Insane. 605 00:32:14,447 --> 00:32:16,382 ‐ That doesn't make me a bad person. 606 00:32:16,382 --> 00:32:20,954 ‐ I never asked you for anything in any way, shape, or form. 607 00:32:20,954 --> 00:32:21,955 Now get out. 608 00:32:22,889 --> 00:32:23,924 (suspenseful music) 609 00:32:23,924 --> 00:32:25,692 ‐ You be warned. 610 00:32:25,692 --> 00:32:29,429 I have a hard time dealing with rejection. 611 00:32:29,429 --> 00:32:32,966 ‐ Well, you'll have to get used to it. 612 00:32:32,966 --> 00:32:35,068 ‐ Do you realize 613 00:32:35,068 --> 00:32:37,003 this could be the end of a beautiful relationship? 614 00:32:37,003 --> 00:32:39,773 ‐ We never had a relationship. 615 00:32:39,773 --> 00:32:40,607 ‐ Ashley. 616 00:32:43,610 --> 00:32:44,444 ‐ Get out. 617 00:32:46,613 --> 00:32:48,749 (dramatic suspenseful music) 618 00:32:48,749 --> 00:32:49,583 Get out. 619 00:33:17,884 --> 00:33:18,819 ‐ Good morning. 620 00:33:18,819 --> 00:33:21,054 Isn't it a beautiful sunrise? 621 00:33:27,861 --> 00:33:30,130 ‐ [Krissie] Brett, come in. 622 00:33:31,565 --> 00:33:32,498 (suspenseful music) 623 00:33:32,498 --> 00:33:35,201 Brett, Arthur, are you there? 624 00:33:35,201 --> 00:33:37,037 Brett, come in please. 625 00:33:43,577 --> 00:33:46,412 (machine beeping) 626 00:34:05,071 --> 00:34:07,073 Cat, I need you to head to the hospital. 627 00:34:11,144 --> 00:34:13,113 ‐ I can see a definite improvement. 628 00:34:13,113 --> 00:34:14,447 ‐ That's excellent, excellent. 629 00:34:14,447 --> 00:34:16,016 ‐ Oh, let him rest. 630 00:34:16,016 --> 00:34:18,519 He'll wake up when he's ready. 631 00:34:23,790 --> 00:34:25,792 ‐ Ashley, you're needed. 632 00:34:27,327 --> 00:34:29,162 Brett, come in, Brett. 633 00:34:30,330 --> 00:34:31,598 There's a problem at the hospital. 634 00:34:31,598 --> 00:34:33,534 I can't get ahold of Arthur or Brett. 635 00:34:33,534 --> 00:34:36,302 ‐ [Ashley] I'm on my way. 636 00:34:36,302 --> 00:34:38,138 (upbeat music) ‐ Doctors removed the IV. 637 00:34:38,138 --> 00:34:39,506 He was poisoned all right. 638 00:34:39,506 --> 00:34:41,407 Don't worry, Mike's gonna be okay. 639 00:34:41,407 --> 00:34:45,445 As a matter of fact, he's making a miraculous recovery. 640 00:34:45,445 --> 00:34:47,447 (slow ominous music) 641 00:34:47,447 --> 00:34:50,250 I think we should have a talk with Nurse Ramos. 642 00:34:50,250 --> 00:34:51,752 ‐ She won't know where Strake is. 643 00:34:51,752 --> 00:34:55,488 He would never tell her more than absolutely necessary. 644 00:34:55,488 --> 00:34:58,491 ‐ When Strake realizes that this didn't work, 645 00:34:58,491 --> 00:35:00,567 he's bound to try again sooner or later. 646 00:35:00,567 --> 00:35:03,436 ‐ That's why we're gonna make him think it did work. 647 00:35:03,436 --> 00:35:06,039 (upbeat music) 648 00:35:19,419 --> 00:35:21,354 (slow melancholy music) 649 00:35:21,354 --> 00:35:22,689 ‐ What happened? 650 00:35:49,015 --> 00:35:49,683 I'm really sorry. 651 00:35:49,683 --> 00:35:52,052 (upbeat music) 652 00:36:00,734 --> 00:36:01,802 ‐ Is he dead? 653 00:36:02,736 --> 00:36:03,804 ‐ Yes. 654 00:36:03,804 --> 00:36:05,572 ‐ Now, are you absolutely sure? 655 00:36:05,572 --> 00:36:06,740 ‐ He's gone. 656 00:36:06,740 --> 00:36:08,675 ‐ (chuckles) Oh, what a shame. 657 00:36:08,675 --> 00:36:10,410 Still young, still strong. 658 00:36:10,410 --> 00:36:12,579 The prime of his life. 659 00:36:12,579 --> 00:36:14,314 ‐ I feel horrible. 660 00:36:14,314 --> 00:36:17,851 ‐ Yes, I do know how you must feel, my love, 661 00:36:17,851 --> 00:36:20,153 but if it's any comfort to you, 662 00:36:20,153 --> 00:36:22,789 none of this gets out of here alive. 663 00:36:22,789 --> 00:36:24,224 ‐ Can you see me tonight? 664 00:36:24,224 --> 00:36:25,792 ‐ No, I can't see you tonight. 665 00:36:25,792 --> 00:36:27,227 A man has just died. 666 00:36:27,227 --> 00:36:30,731 We should observe a proper period of mourning. 667 00:36:36,603 --> 00:36:38,204 Bring me champagne. 668 00:36:39,706 --> 00:36:41,474 ‐ [Assistant] There is no more champagne, senor. 669 00:36:41,474 --> 00:36:42,743 ‐ [Neil] Then bring me white wine. 670 00:36:42,743 --> 00:36:45,712 ‐ There is no more white wine either. 671 00:36:46,880 --> 00:36:48,715 ‐ Then give me a light. 672 00:36:48,715 --> 00:36:51,785 (slow trumpet music) 673 00:36:54,621 --> 00:36:55,689 (upbeat music) 674 00:36:55,689 --> 00:36:57,691 ‐ [Brett] There she is, stop. 675 00:36:57,691 --> 00:37:00,534 (tires squealing) 676 00:37:00,534 --> 00:37:02,135 (Nurse Ramos screaming) 677 00:37:02,135 --> 00:37:03,870 ‐ [Nurse Ramos] Help! 678 00:37:05,539 --> 00:37:07,140 ‐ Calm down. ‐ We'll talk to you 679 00:37:07,140 --> 00:37:08,775 back at the ranch. ‐ Great. 680 00:37:08,775 --> 00:37:11,545 (tires squealing) 681 00:37:11,545 --> 00:37:14,614 (slow ominous music) 682 00:37:20,020 --> 00:37:23,757 ‐ Oh, I love the smell of C‐4 in the morning. 683 00:37:38,004 --> 00:37:40,907 (slow organ music) 684 00:37:51,351 --> 00:37:54,521 ‐ To Mike, the best friend I ever had. 685 00:38:42,242 --> 00:38:44,110 ‐ I've prayed a long time for this day. 686 00:38:44,110 --> 00:38:45,111 A long time. 687 00:38:46,947 --> 00:38:48,615 Burn in hell, Micks. 688 00:38:51,585 --> 00:38:52,886 ‐ You first. 689 00:38:52,886 --> 00:38:56,890 (people gasp) (suspenseful music) 690 00:38:56,890 --> 00:38:58,859 ‐ One flick. (bomb beeping) 691 00:38:58,859 --> 00:39:02,135 One flick of my finger and you're all taco meat. 692 00:39:02,135 --> 00:39:03,504 ‐ Including you. 693 00:39:03,504 --> 00:39:05,271 ‐ I end you. 694 00:39:05,271 --> 00:39:07,173 I'll take you with me. 695 00:39:07,173 --> 00:39:12,112 (explosion booms) (people scream) 696 00:39:12,112 --> 00:39:13,514 ‐ Looking for this? 697 00:39:13,514 --> 00:39:15,181 ‐ Back off or I'll kill him. 698 00:39:15,181 --> 00:39:16,817 I'll kill him. 699 00:39:16,817 --> 00:39:18,218 All right, tell them to back off, tell them to back off. 700 00:39:18,218 --> 00:39:19,620 Tell them to back off! (Mike grunts) 701 00:39:19,620 --> 00:39:21,688 ‐ Everybody back off, listen to him. 702 00:39:21,688 --> 00:39:22,823 ‐ Come on, out. 703 00:39:22,823 --> 00:39:24,190 Get out of here. 704 00:39:24,190 --> 00:39:25,025 Get out! 705 00:39:31,464 --> 00:39:34,034 ‐ Ashley, I'll shoot him. 706 00:39:34,034 --> 00:39:34,935 ‐ Shoot me. 707 00:39:34,935 --> 00:39:36,202 ‐ I can't. 708 00:39:36,202 --> 00:39:38,539 I can't, but I can kill him. 709 00:39:40,907 --> 00:39:42,475 ‐ If you kill him, you kill me. 710 00:39:42,475 --> 00:39:45,311 ‐ Then you'll have to kill me. 711 00:39:45,311 --> 00:39:48,048 ‐ Neil, I don't want to hurt you. 712 00:39:49,315 --> 00:39:52,218 I just want to put you away somewhere safe 713 00:39:52,218 --> 00:39:54,888 where you can't hurt anybody else. 714 00:39:54,888 --> 00:39:58,391 ‐ No, no, I'll never go back there ever, Ashley, ever. 715 00:39:58,391 --> 00:40:00,333 They're all crazy there. 716 00:40:02,002 --> 00:40:02,836 I go mad. 717 00:40:04,070 --> 00:40:06,907 No one there plays chess. 718 00:40:06,907 --> 00:40:09,943 (upbeat action music) (men grunting) 719 00:40:09,943 --> 00:40:12,278 I should've killed you when I had the chance. 720 00:40:12,278 --> 00:40:14,380 (grunts) 721 00:40:34,434 --> 00:40:35,736 ‐ Do you like the shirt? 722 00:40:35,736 --> 00:40:37,704 ‐ Well, it's a little colorful. 723 00:40:37,704 --> 00:40:38,772 ‐ I wanted to get you something 724 00:40:38,772 --> 00:40:41,307 that you didn't already have. 725 00:40:41,307 --> 00:40:42,509 ‐ I don't want you to think 726 00:40:42,509 --> 00:40:44,344 that I do not appreciate it, but‐‐ 727 00:40:44,344 --> 00:40:47,881 ‐ But the reason that you don't have any colored shirts 728 00:40:47,881 --> 00:40:52,052 is because you don't like very colored shirts, however. 729 00:40:52,953 --> 00:40:54,588 ‐ Let me ask you a question. 730 00:40:54,588 --> 00:40:56,990 Do you like men that wear colorful shirts? 731 00:40:56,990 --> 00:40:57,891 ‐ Yes, I do. 732 00:40:57,891 --> 00:40:59,059 I just happen to. 733 00:40:59,059 --> 00:41:00,667 ‐ Well, then I love this shirt. 734 00:41:00,667 --> 00:41:02,402 I'm crazy about this shirt. 735 00:41:02,402 --> 00:41:03,870 As a matter of fact, I think it's one of the most 736 00:41:03,870 --> 00:41:06,673 wonderful shirts that I ever had to wear. 737 00:41:06,673 --> 00:41:07,908 Against my better judgment. 738 00:41:07,908 --> 00:41:09,510 (Ashley laughs) 739 00:41:09,510 --> 00:41:11,845 Now, was that the picnic basket you made for my birthday? 740 00:41:11,845 --> 00:41:12,679 ‐ Mm‐hmm. 741 00:41:14,147 --> 00:41:18,051 The sandwiches are stale, but the champagne's cold I think. 742 00:41:18,051 --> 00:41:20,186 ‐ You know, Ash. 743 00:41:20,186 --> 00:41:23,557 Some of those things you said to me in the hospital 744 00:41:23,557 --> 00:41:25,592 were some of the nicest things I ever heard. 745 00:41:25,592 --> 00:41:26,827 ‐ What things? 746 00:41:26,827 --> 00:41:28,061 ‐ You know, the things you told me 747 00:41:28,061 --> 00:41:30,396 when you thought I was unconscious. 748 00:41:30,396 --> 00:41:31,832 ‐ You were unconscious. 749 00:41:31,832 --> 00:41:33,199 ‐ Was I? 750 00:41:33,199 --> 00:41:35,168 ‐ If you weren't, you are about to be. 751 00:41:35,168 --> 00:41:36,870 ‐ Take it easy, tiger, I'm just kidding. 752 00:41:36,870 --> 00:41:38,371 I was unconscious. 753 00:41:39,740 --> 00:41:40,974 ‐ That's a good thing. 754 00:41:40,974 --> 00:41:44,077 You know, sometimes in the heat of the moment, 755 00:41:44,077 --> 00:41:46,647 we say things that we don't really mean. 756 00:41:46,647 --> 00:41:50,817 I mean, we say things that we don't mean to say out loud. 757 00:41:51,985 --> 00:41:55,455 I mean, we say things that we don't mean 758 00:41:55,455 --> 00:41:57,791 to be caught saying, I mean. 759 00:41:58,825 --> 00:42:00,701 ‐ I think I know what you mean. 760 00:42:00,701 --> 00:42:02,903 ‐ I'm glad one of us does. 761 00:42:02,903 --> 00:42:03,737 ‐ I think. 762 00:42:05,706 --> 00:42:07,040 (Ashley laughs) 763 00:42:07,040 --> 00:42:10,176 (slow romantic music) 764 00:42:10,176 --> 00:42:11,177 (upbeat music) 765 00:42:11,177 --> 00:42:12,245 ‐ [Narrator] The Mexican Riviera. 766 00:42:12,245 --> 00:42:13,479 ‐ Paradise. 767 00:42:13,479 --> 00:42:15,048 ‐ [Narrator] A world where natural beauty. 768 00:42:15,048 --> 00:42:16,382 ‐ [Man] Faster! 769 00:42:16,382 --> 00:42:18,151 ‐ Oh my god, we're stranded. 770 00:42:18,151 --> 00:42:19,586 ‐ [Narrator] Can hide sudden danger. 771 00:42:19,586 --> 00:42:21,287 ‐ Trespassers will be killed. 772 00:42:21,287 --> 00:42:23,489 ‐ [Narrator] Now the team is stopped by a madman. 773 00:42:23,489 --> 00:42:26,159 ‐ You're on your way to meet your maker. 774 00:42:26,159 --> 00:42:27,360 ‐ [Narrator] And an island paradise 775 00:42:27,360 --> 00:42:29,763 becomes a deadly battleground. 776 00:42:29,763 --> 00:42:31,264 (explosion booms) 777 00:42:31,264 --> 00:42:34,968 The heat is always on and the action is always hot 778 00:42:34,968 --> 00:42:37,370 on the next Acapulco H. E. A. T. 779 00:42:39,906 --> 00:42:42,809 (upbeat pop music)